Zzz Auditions
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Introduction
This page aims to give you a rough idea of the process for organising and holding an audition. If you're an established director, then there is probably nothing of interest to you here. Indeed you may well have your own, totally contradictory way of organising your auditions and that's fine; whatever works for you.
Before the audition
People to find or appoint
You should find/acquire/appoint the following people
Column 1 | Who | What they will be doing | The skills they should have | When to appoint them | Where to look |
---|---|---|---|---|---|
10 | Production assistant
(Your Chief of Staff) |
|
|
|
|
20 | Stage Manager | ||||
30 | Set Builder | ||||
40 | Properties Person | ||||
50 | Costumer Wrangler | ||||
60 | Hair and Make-up Specialist | ||||
70 | Lighting Designer | ||||
80 | Lighting Operator | ||||
90 | Sound Engineer | ||||
100 | |||||
110 |
Things to do first
There are some things that you need to do as soon as you know that you are going to run an audition. Some might seem obvious, others, less so.
Column 1 | Column 2 | Column 3 | Column 4 | Column 5 | Column 6 |
---|---|---|---|---|---|
10 | Find the right play | Choose something that does something for you; that moves or excites you. IF you want your cast to be passionate about it, so must you be. | |||
20 | Appoint an assistant | ||||
30 |
Things to do nearer the audition date
At the audition
Things to take to the audition
The following is a list of things which you might consider taking to an audition. Many of them will depend upon the size of the production and the expected numbers.
- Milk and biscuits (no, seriously)!
- Signage giving clear directions to the audition room (remember some people might never have been to that venue before)
- A camera
- A form for each person auditioning to complete, giving such information as:
- Name
- Phone number
- Email address
- Space to attach either a digital photo number - or preferably, a Polaroid
- Which part or parts they would like to be considered for
- One or more copies of the full script
- Stationery for writing notes about each audition piece and the people who have read - don't rely on your memory (it's best to design a form beforehand)